What each question needs

Questions 1 and 2: harmony

• Figured bass: name every chord from its bass and figures first, write in the raised 7th of a minor key every time, plan the cadence, then the soprano, then alto and tenor. Check each pair of voices for consecutive 5ths and octaves.
• Harmonising: the cadence first, then work backwards. Every chord holds its melody note; change chord on the strong beats; V never goes back to IV or II.

On this course one mark comes off for each fault in question 1, and question 2 gives credit for the cadence and for every chord that keeps the rules.